IвЂ™d likely shoot it year round if most of my vintage cameras didnвЂ™t cap out at 1/500 shutter speed.Д®pilogue:I absolutely NEED to buy myself a Rolleiflex 2.8. One of the differences between the two is that the SLR. Photographers also look through SLRs, or single lens reflex cameras. And reflex means that the photographer looks through the lens to view the reflected image of an object or scene on the focusing screen. To start, TLR stands for twin lens reflex. I love the grains, fine like sand, pronounced yet not distracting (like grain can be with outdated or pushed/pulled film). What makes a Rolleiflex TLR so special Many things. That one stop from f3.5 to f2.8 made all the difference to my hand holding! The Ilford Delta has always been one of my favourite films to shoot. Vancouver вЂ“ Nicole: I got the roll back and it looks great. I made the grave error of only packing one roll of film that night and saw photos virtually everywhere, it was a rare dry warm February night. (As IвЂ™ve mentioned many times beforeвЂ¦) I have a good friend who doesnвЂ™t mind loaning me cameras, so I borrowed his illustrious Rolleiflex 2.8! And with that I was able to shoot my entrance ways at f2.8 at 1/60. Once developed the pictures were as expected вЂ“ slightly blurry, obviously not quite what I wanted. My light meter was saying I needed one more stop, but regardless I shot f3.5 at 1/60. These photos are are a guide to what these cameras are capable of. However, the widest aperture on that camera is f3.5, the slowest shutter speed I was willing to go was 1/60 (IвЂ™m hand-holding). All photos are copyrighted and may not be used without permission from the photographer. Vancouver вЂ“ Nicole: previously I had taken my Rolleicord Vb out with Ilford Delta 3200 and used it to take photos of building entrance ways at night.

Rolleiflex 2.8 photography